Defense Date

2010

Document Type

Thesis

Degree Name

Master of Fine Arts

Department

Painting and Printmaking

Department

Painting & Printmaking

First Advisor

Hilary Wilder

Abstract

Abstract: My vanilla, Grade A, white bread, run-of-the-mill, middle-of-the-road, threadbare, well-worn, moth-eaten, potato sack, butterscotch, grass stained America: Mundane American life is an existence clinging to the ordinary, where a quilt of mass- mediated preferences and ingrained traditions define many people, specifically from north to south and east to west. Yet, the tastes and dialects of people within the mundane are complex. Ideological preferences are rooted in immigrant history and political persuasion. Various modes of realism have been used by American painters such as The Ash Can School, Regionalists of the 1930’s, and Pop Art. The notion of the real and mundane have an integral link to each other in art, as often the real may reveal a truth about the world, that which may be ugly or sordid. Depictions of everyday objects and common people break down the great divide between high art and popular culture. Pop Art is postmodern in its "generational refusal of the categorical certainties of high modernism." In this paper I will dissect the complexity of the mundane through the use of my own and others’ paintings and photographs. Through reference and description Americana’s well-worn customs and preferences in day-to-day life will be analyzed.

Rights

© The Author

Is Part Of

VCU University Archives

Is Part Of

VCU Theses and Dissertations

Date of Submission

5-17-2010

Share

COinS