Defense Date

2010

Document Type

Thesis

Degree Name

Master of Interdisciplinary Studies

Department

Interdisciplinary Studies

First Advisor

Sara Clark

Abstract

The abstract pieces I create now are part of an ongoing evolution in my work to arrive at a visual balance between rigid structure and organic movement. Initially, they were intended as a departure from representational imagery to allow for more focus on color harmonies and structural balance. After more than twenty-five years of rendering objects and things, it became too predictable and “safe” for me to take my work seriously. As it has been suggested that most abstraction derives from reality in some form, I was intrigued by those rings of light we see when closing our eyes. I liked the idea of appropriating an archetypal image that was neither real nor unreal. Through the painting process, I have come to appreciate how a dialogue can be generated between the formal, visual elements, and the intuitive, more instinctive realm of aesthetics. Spontaneity and deliberate avoidance of pre-conceived imagery are important to me. I like the idea that ambiguity can create an environment for open interpretation. Most importantly, I am moving closer to work that is true to me.

Rights

© The Author

Is Part Of

VCU University Archives

Is Part Of

VCU Theses and Dissertations

Date of Submission

October 2010

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