DOI
https://doi.org/10.25772/ERMF-QW85
Defense Date
2016
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Fine Arts
First Advisor
Diane Derr
Second Advisor
Dr.Thomas Modeen
Third Advisor
John Burrow
Fourth Advisor
Dr.Robert M Bianchi
Abstract
For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.
This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.
The outcome of this thesis aims to demystify the intricacies of recent technological advancements to enable the musician and the audience to incorporate responsive technology into their ensembles. This approach aims to further evolve Arabic music, using the concepts of Arabic music creativity while addressing international accessibility through integration.
The intention of this thesis is to bridge between the contemporary and the traditional Arabic audiences and provides insight into a possible future of Arabic music based on its own fundamental principles.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-12-2016
Included in
Archaeological Anthropology Commons, Art and Materials Conservation Commons, Audio Arts and Acoustics Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Ethnomusicology Commons, Folklore Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, Leisure Studies Commons, Musicology Commons, Music Practice Commons, Music Theory Commons, Near and Middle Eastern Studies Commons, Regional Sociology Commons, Science and Technology Studies Commons, Social and Cultural Anthropology Commons, Social Media Commons, Social Work Commons, Sociology of Culture Commons