DOI
https://doi.org/10.25772/6P54-EZ57
Defense Date
2016
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Painting and Printmaking
First Advisor
Arnold J Kemp
Second Advisor
Cara Benedetto
Third Advisor
Hilary Wilder
Abstract
My work explores hallucinatory landscapes of the US American West by using a combination of painting styles outside of the Western painting canon. I cross-reference painting and cinema, interweaving video, acrylic paint and the panorama to create a satirical homage to the history and present state of the USA. However, through an earnest devotion to the medium - both painting and cinema - I find my criticisms also yearn to hold onto a belief in a myth I know to be false.
This is an American History conversation about artifice and consumerism through advertising. I use Las Vegas and the Mojave Desert as my metaphor. Las Vegas’ rapidly expanding population has displaced actual plants and animals to replace them with artificial sculptures of the desert cactus and coyote. This desert landscape occupies what was previously Mexico and before that Indigenous lands. TV and hallucinogens play a part in my work - as a means to tap into the psychological staticky holiness of the desert, and I use certain painting techniques to mimic the optical effects of these phenomena. These techniques reference my experience with theater backdrop painting and psychedelic movie posters as well as kitsch hobbyist landscape painting. My focus is the specific territory outside of the National Parks service, the government lands leased to mining companies and housing developers. These are the mystical desert tracts of spacious landscape, just as ecologically important to the whole, yet considered “not quite pretty enough” to warrant a National Park sign or roaming ranger.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-12-2016