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Abstract
Personal journal entries recount how graduate students and their instructor respond to a point of encounter in an online studio course at a large research institution in the Southeastern United States. Inspired by collectivist othermothering practices, the article speaks to learning from Black scholars while chronicling a shared experience and responding to an anxious now that is navigating the N-word together. The authors aim to center caring exchanges and ethical practices for the purpose of (re)building safety and hope that this article will be helpful to art educators who also encounter the N-word or have similar moments of crisis.