The Melanie Buffington Papers

Document Type

Article

Original Publication Date

2018

Journal/Book/Conference Title

Arts

Volume

7

Issue

97

DOI of Original Publication

https://doi.org/10.3390/arts7040097

Comments

Originally published in Arts 2018, 7(4), 97; https://doi.org/10.3390/arts7040097 (This article belongs to the Special Issue Hip-Hop, Art, and Visual Culture: Connections, Influences, and Critical Discussions).

Date of Submission

March 2023

Abstract

This paper argues that Hip Hop Pedagogy is a version of Culturally Sustaining Pedagogy and should be a part of art education. Further, we believe that when exploring Hip Hop Pedagogy, teachers need to reference the work of Black female and non-binary artists. After an overview of Hip Hop Pedagogy and Culturally Sustaining Pedagogy, we argue that these approaches should be a consistent part of art education. Through the work of contemporary visual artist and DJ, Rozeal, we offer suggestions for art educators about how they might transition their practice to embrace some aspects of Hip Hop Pedagogy. Specifically, through sampling and the distinction of cultural appreciation versus appropriation, we believe that art educators can change their practice to make their teaching more relevant to their students and to contemporary culture.

Rights

© 2018 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).

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Melanie Buffington Papers

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