DOI
https://doi.org/10.25772/5KP5-C079
Defense Date
2020
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Dean's Office Qatar
First Advisor
Diane Derr
Second Advisor
Law Alsobrook
Third Advisor
Yasmeen Suleiman
Fourth Advisor
Rab McClure
Fifth Advisor
Radha Dalal
Abstract
Displaced Palestinians have historically sought to preserve their Palestinian memories and identities in order to remain connected to their lost homeland. Despite the importance of memory for them, and their history of suffering and exile, there have not been any significant monuments designed to preserve their collective memory.
This thesis considers the adaptation of a traditional monument by redesigning it to the specificity of the Palestinian diaspora. In doing so it proposes the monumentalizing of four Palestinian rituals to add significance, meaning and permanence to them. The four rituals are making maamoul, applying orange and mashmoom perfume oil to hair, pouring Palestinian olive oil and dispersing sage tea leaves within a family. The key attributes captured, conveyed and explored within these rituals are the role of the matriarch and the sensory olfactory system that elicits memories and narratives of Palestine.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-17-2020
Included in
Ceramic Arts Commons, Glass Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons