DOI
https://doi.org/10.25772/QZW0-KY52
Defense Date
2020
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Craft/Material Studies
First Advisor
Hillary Waters Fayle
Second Advisor
Cynthia Myron
Third Advisor
Tracy Spencer-Stonestreet
Abstract
The split between the individual and being part of a social body is addressed in this paper. I begin with my suburban upbringing; applying notions of separate and sub-divided to the construction of one’s aspirations, gender expression(s), and one’s ideological alignment. I contemplate the forces directing individual and shared desires and the persistent messaging of individual pursuits over efforts that benefit many. What does it mean to participate in a collective dreaming of one’s own wealth, happiness, and power? Can one cultivate an integrated art practice and sense of self? In the studio, I layer and abstract figures, stack household objects, and repeat gestures to challenge perceived homogeneity and the continuation of norms linked to late-capitalist logics. I conclude with descriptions of my most recent explorations: sculpture-as-action and installation that points to the institutions of which many of us are part; school and family. Through this work I strive to open up space for processes and forms that are impermanent and/or in constant state of formation.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-20-2020
Included in
Art Practice Commons, Contemporary Art Commons, Fine Arts Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons