DOI
https://doi.org/10.25772/ES6M-CB93
Author ORCID Identifier
https://orcid.org/0000-0002-6629-9004
Defense Date
2021
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Kinetic Imaging
First Advisor
Bob Paris
Second Advisor
Paul Rucker
Third Advisor
Semi Ryu
Fourth Advisor
Wes Taylor
Abstract
For my MFA thesis exhibition entitled Reanimator/Reflection, I used artificial intelligence to create three new works of sound and live-generated video art, each based on mirror reflections and 100-year-old racist post-pandemic horror literature by early 20th century American author H. P. Lovecraft. The themes of these writings mirror the issues of our current time. The primary works of Lovecraft that I referenced in the exhibition are “Herbert West: Reanimator,” (1922) a serialized tale about graduate school experiments which attempted to return the dead to life during a plague, and “Nyarlathotep,” (1920) a prose poem that suggests even our dreams might become infected as with a fever. These two particular texts were written shortly after the early 20th century influenza pandemic that lasted from 1918 to 1920; they directly address that pandemic and its associated fears; and, then as now during the time of COVID-19, these pandemic fears are often expressed in racial terms.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-14-2021
Included in
American Popular Culture Commons, Art Practice Commons, Audio Arts and Acoustics Commons, Digital Humanities Commons, Fine Arts Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Other Arts and Humanities Commons, Sculpture Commons