Author ORCID Identifier
0009-0002-1286-6891
Defense Date
2024
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Graphic Design
First Advisor
Nicole Killian
Second Advisor
Herdimas Anggara
Third Advisor
J Molina-Garcia
Fourth Advisor
Robert Ouyang Rusli
Abstract
As a Korean American non-binary digital artist and designer, my recent explorations have focused on using voice as a medium to articulate nuanced feelings of displacement and the intricate relationships between language, identity, and expression. This journey expands beyond my personal experiences with gender dysphoria, delving into the lives of non-binary and transgender individuals undergoing gender-affirming voice therapy. Through my thesis research, I have developed interactive multimedia installations inspired by dialogues with individuals such as Umico Niwa, who traveled to Korea for voice feminization surgery, and Jeong Yoon Lee from Hyperlink Press, a four-year participant in Hormone Replacement Therapy (HRT). During our conversations, Jeong revealed how a 2000s-era karaoke machine provided him with control over his body and time, enabling him to monitor his voice as it navigated through text prior to his transition. This experience inspired me to create an absurdist visual poetry piece utilizing the broken karaoke machine as a portal to manipulate time and voice, culminating in a multimedia portrait of Jeong.
The discourse surrounding gender-affirming surgery often showcases a limited binary perspective, shaped by a cisgender, heteronormative medical viewpoint. These discussions resonate with my own experiences related to the Korean diaspora, which involve complex issues of language, gender, and nationality. I draw inspiration from avant-garde Korean writers and poets such as Yi Sang and Theresa Hak Kyung Cha, who explored the themes of displacement and erasure experienced by once-colonized cultures through their innovative use of language. Similarly, the transgender community has a vibrant history of playfully exploring and redefining their identities.
Rights
© Taehee Whang
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-10-2024
Included in
Audio Arts and Acoustics Commons, Graphic Design Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Korean Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Women's Studies Commons