Defense Date
2024
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Dean's Office Qatar
First Advisor
Yasmeen Suleiman
Second Advisor
Astrid Kensinger
Third Advisor
Reema Abu Hassan
Fourth Advisor
Robert Bianchi
Abstract
Palestinians, whether living under occupation or—like myself—in the diaspora, experience a complex journey of displacement and dispossession stemming from the Nakba of 1948. This reality shapes our collective identity, rooted in our connection to our homeland.
Zaytouna explores an under-researched topic: the relationship between the olive tree and uprooted Palestinians. It reveals a rich tapestry of narratives that encompass the quintessential and everlasting relationship between a land and its people. The resulting interactive archival installation consists of two parts: audio recordings from Palestinians in the diaspora, which capture their memories and voices; and visuals, which represent the storytellers’ places of origin, emphasizing the connectedness of memories, voices, and narratives.
This project highlights the olive tree’s physical and metaphorical significance to Palestinian people in the diaspora and provides a compelling example of cultural preservation for endangered peoples in contexts well beyond Palestine.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
5-10-2024
Included in
Audio Arts and Acoustics Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons