DOI

https://doi.org/10.25772/A67K-Z097

Defense Date

2025

Document Type

Thesis

Degree Name

Master of Fine Arts

Department

Craft/Material Studies

First Advisor

A Blair Clemo

Second Advisor

Elissa Armstrong

Third Advisor

Hillary Waters Fayle

Fourth Advisor

Cynthia Myron

Abstract

My thesis work explores the intersections of masculine and feminine labors as they relate to the structure of domestic space. I utilize materials and processes akin to craft, construction and architecture, and domicile upkeep, noting what is shared between gendered and polarized fields while exploring uses of the grid in various instances as a structure to adhere to and antagonize: a binary. Highlighting the queerness and fluidity of materials and the similarities between seemingly disparate processes, I relate to the objects I make and alter through my own gender fluidity. I do not see masculinity or femininity as autonomous: the characteristics these two words are used to describe can be present in any individual. They are a descriptor, not a definer, and their applications can change depending on context. Through misusing, or queer use, I search for a broadened approach to how a material can behave or be used, as humans and gender are material. I employ this concept as it permissions the notion of material agency and gives new life to the ubiquitous or discarded by using as not intended, stirring up a well of possibilities. I relate this expectation of material usage to the expected performance of masculine and feminine gender roles; how the non-fulfillment of these expectations creates new potential for being and doing; providing avenues of tangibility to the abstract. Through my queer use, I reconstruct familiar fragments of a strange world built on binary adherence.

Rights

© brooklin marie grantz

Is Part Of

VCU University Archives

Is Part Of

VCU Theses and Dissertations

Date of Submission

5-5-2025

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