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Defense Date
1997
DOI
https://doi.org/10.25772/DGFN-6697
Document Type
Thesis
Degree Name
Master of Arts
Department
Art History
First Advisor
Dr. Howard Risatti
Abstract
The stenciled, sculpted, or painted word is a central motif in approximately thirty major paintings produced by Jasper Johns between 1955 and 1964. For Johns, who often recycles important ideas in his work, the written word is a key element that transcends other stylistic and iconographic transformations during this period. The words in Johns' paintings refer to the names of colors, label familiar objects or title his compositions. The written word appears in works by other artists prior to 1955, and therefore Johns' significance lies not so much in the establishment of a new aesthetic vocabulary, but in exploring ways that language works in the visual arts. Because Johns' use of word imagery from 1955-1964 is innovative and important, it is the purpose of this thesis to examine the different ways that Johns approaches the subject of language within the framework of painting.
Rights
© The Author
Is Part Of
VCU University Archives
Is Part Of
VCU Theses and Dissertations
Date of Submission
June 2008
VCU Only:
Off Campus Download
Comments
Part of Retrospective ETD Collection, restricted to VCU only.