Home > JPER > Vol. 7 (2021-2023) > No. 2
Keywords
Bernard Stiegler, prison, exteriorisation, technology, anamnesis, hypomnesis
Abstract
In his book, Acting Out, philosopher Bernard Stiegler confesses that the question once posed to him by Marianne Alphant − namely, ‘How does one become a philosopher in the intimacy and secret of one’s life?’ threw him ‘into an embarrassing position’, mainly because Stiegler became a philosopher in the intimacy of his prison cell. There is no question that from Socrates to Antonio Gramsci, there have been philosophers who have suffered shorter or longer periods of imprisonment, but this was mainly because of their philosophy – their individuated way of being and thinking. In Bernard Stiegler’s case, it appears that the terms are reversed – in other words, the philosopher emerges as the philosopher he is because of and through imprisonment. This reversal is taken provisionally here, since this paper problematises the very notions of philosophical writing, philosophical acting, and origin, repositioning thus the question of writing, authorship, technology and individuation – namely, the central notions of Bernard Stiegler’s philosophy.
DOI
https://doi.org/10.25771/re3c-cw76
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
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First Page
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Last Page
129
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