Abstract
The continual "cultural wars" between "Generation X" ("baby busters" whose birth years begin with 1961, aged 11-35), and New Right "baby boomers" (whose birth years range. From 1946 to 1960), around the issue of violence as represented in the popular cultural forms of film and television provide critically concerned art educators with an opportune moment to examine how conservative rhetoric has made "moral panic" an object of current discourses. This highly-charged debate, now literally and symbolically represented by the censorship that "V-chip" technology provides, is explored in this essay from a seemingly non-populist position given the current tide against the proliferation of violence. It is argued that the Issues that surround violence veil broader socio-economic concerns
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