Abstract
That Merry Prankster of postmodernism, Jacques Derrida, introduced the mind altering drug of significant play into theoretical culture's discourse around meaning and text. Like his prankster predecessors, Derrida's mindful but seemingly anarchistic intervention resulted in insight (into the complexity of text in culture) for some, and chaos (in the guise of abject deconstructive relativism) for others. What follows is a compilation of texts that is both mundane and complex.
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